eBooks de Historias de la música, página 44 de 135

Seit dem Fruhjahr 2018 gestaltet der in Halle (Saale) lebende Literaturwissenschaftler, Autor und Musiker Paul Bartsch die monatliche Sendung LiveRillen auf Radio Corax, in der er ausgewahlte Ausschnitte aus Konzert-LPs und Live-Alben direkt vom Plattenteller serviert und kommentiert. So entsteht eine livehaftige Geschichte der popularen Musik, erzahlt aus der Perspektive der Buhne.Die mit viel Liebe zum Detail ausgearbeiteten Sendemanuskripte bilden die Grundlage fur diese originelle Publikationsreihe, deren funfter Band nunmehr vorliegt. Ein unterhaltsames Lesevergnugen fur alle, die Freude an guter Musik haben und mehr uber deren Hintergrunde und Protagonisten erfahren wollen.

"Bruxo" e "Campeão" são alguns dos apelidos que Hermeto Pascoal ganhou ao lado de sua trajetória. Difícil mesmo é precisar quantos anos tem essa trajetória, porque ele mesmo diz que já "nasceu" músic

"Il piu lungo giorno" e il titolo originario che Dino Campana attribui ai Canti Orfici, prima che Papini e Soffici perdessero, nel novembre del 1913, il manoscritto, unico esemplare esistente, come dichiarato dallo stesso Campana. Mentre "luomo dei boschi" era il soprannome usato per riferirsi a Dino Campana dagli abitanti di Marradi, a causa del suo comportamento schivo e a volte non convenzionale.Nellottobre 2023 ho intrapreso un viaggio nella scrittura di una serie di opere dedicate a Dino Campana. Alcune di queste, come la presente, sono concepite per Soñada sola, mentre altre costituiranno il corpus di un lavoro piu ampio dedicato al melologo per Soñada e Voce recitante. Durante una conversazione con la mia agente Elena Marazzita riguardante alcuni testi utilizzabili per un progetto di diversa natura, la visione del materiale campaniano mi ha affascinato cosi tanto che ho subito concepito lidea di creare unopera dedicata al poeta di Marradi.Ho quindi contattato Gianni Turchetta, studioso di Campana e docente di lettere moderne allUniversita Statale di Milano, il quale e diventato fonte di ispirazione e una miniera inesauribile di sapere. Gianni Turchetta ha dedicato instancabilmente decenni allo studio dei testi di Campana ed e il curatore del Meridiano Mondadori dedicato al poeta.A Elena e Gianni dedico queste pagine.

A publicação Um panorama sobre a implementação do ensino de música no Instituto Federal Baiano: diversidade e riqueza cultural em diferentes campi, apresenta sete diferentes relatos sobre a experiênc

Diante do espelho do banheiro, um violonista de renome internacional observa uma fotografia de si mesmo tirada trinta anos antes. Em um fluxo de consciência, narrado em um parágrafo único, ele recupe

A CLASH MUSIC BOOK OF THE YEAR 2024 A lively, subversive history of the new UK jazz wave, encapsulating its revolutionary spirit and tracing its foundations to birth of the genre itself.Not solely a book about jazz, or even a nascent cultural shift; its a record of a pivotal moment in UK history.BIG ISSUEBy the end of the last century, jazz music was considered by many to be obsolete and uncool, a genre appreciated only by out of touch white men with deeply questionable taste. And yet, by 2019, a new generation of UK jazz musicians was selling out major venues and appearing on festival line-ups around the world. How has UK jazz rehabilitated its image so totally in twenty-five years? And how did it ever become uncool in the first place?Reaching back to the roots of jazz as the unapologetic expression of oppressed peoples, shaped by the forces of slavery, imperialism and globalisation, Andre Marmot places this new wave within the wider context of a divided, postcolonial Britain navigating its identity in a new world order. These artists have crafted a sound which reflects the nation as it is today - a sound connected to the very origins of jazz itself.Drawing on eighty-six interviews with key architects of this jazz renaissance and those who came before them - from Shabaka Hutchings, Nubya Garcia and Moses Boyd to Gilles Peterson, Courtney Pine and Cleveland Watkiss - Unapologetic Expression captures the radical spirit of a vital British musical movement.A breathless run through of an inspiring era in British music, Unapologetic Expression contains deft character sketches and vivid memories, pausing to nail ineffable moments from recording sessions and gigs. Andre Marmots role as an insider . . . grants the book a degree of intimacy other writers may have lacked.CLASH

Explore the enchantment of Claude Debussys compositions with this critical edition of "Childrens Corner" Expertly edited by Ellis Monroe, this edition brings a fresh perspective to Debussys beloved suite, ensuring precision and depth in interpretation. Designed for pianists and music enthusiasts alike, this book delves into the nuances of each piece, providing insightful annotations. From the playful "Doctor Gradus ad Parnassum" to the delicate "The Snow is Dancing," experience Debussys masterful evocation of childhood with clarity and scholarly rigor. Perfect for students, educators, and professional musicians seeking to deepen their understanding of one of the 20th centurys most influential composers.Unlock the full potential of Debussys vision and elevate your piano repertoire. Download your copy today and begin your journey through the delightful world of Childrens Corner!

Neste curso, você aprenderá os fundamentos da produção musical no funk e descobrirá como criar batidas e grooves autênticos para suas músicas. Exploraremos os elementos-chave do funk, como o uso de s

Wie keine andere Quellengattung eroffnen Ego-Dokumente Einblicke in die musikalische Alltagsgeschichte und in die Gedankenwelt von Personen, die mit Musik umgehen, in ihre Wahrnehmungen, ihre Intentionen und ihre Erinnerung. Es sind Zeugnisse der Selbstwahrnehmung und der Selbstdarstellung, sei es im privaten Bereich der Korrespondenz und des Tagebuchs, sei es auch in der gedruckten Form von autobiographischen Schriften. Band 62 der Studien zur Musikwissenschaft bietet Informationen uber biographische Dokumente mit Musikbezug, die aus der Zeitspanne zwischen der Franzosischen Revolution und dem Ersten Weltkrieg stammen und in Forschungen der letzten Jahre entdeckt oder wiederentdeckt wurden.

Como pensar as relações entre territórios e musicalidades? De que maneiras, imersos em rituais coletivos que criam incessantemente modos de vida, construímos identidades a partir de uma encruzilhada

Esta publicação vai de encontro a uma temática - gestão musical - que ainda não está muito difundida no cenário musical brasileiro, principalmente no que diz respeito aos profissionais que atuam com

Tre brevi pezzi marittimiI. Viaggio (230” ca.)II. Naufragio (230” ca.)III. Emersione, aneliti (almeno 3)Durata complessiva: 8 ca.

Il titoloIl titolo fa riferimento ad una frase che Roberto mi ha ripetuto in continuazione, fino allultimissima volta che ci siamo visti.Quando parlavamo di eventi o avvenimenti legati allambito musicale al limite dellincredibile (e dellaccettabile) concludeva sempre con il suo motto La Musica non e? una cosa seria, ma va fatta seriamente!.EnsembleViolino solo (o fixed media) FlautoViolinoClarinetto in Si?ViolaVioloncelloUn non violinista [con la custodia vuota del violino ma con gli spartiti]

Viennese composer Julius Burger (also named Burger (1897-1995)) intersected with many important figures of 20th century western classical music. Despite success in some of the worlds leading opera and broadcasting houses, Burgers true path as a composer was forever altered by the National Socialism.Burger studied with Franz Schreker in Vienna and Berlin. On Bruno Walters recommendation, Burger later joined Artur Bodanzky as assistant at the Metropolitan Opera in New York. In 1929 he became Otto Klemperers assistant at Berlins Kroll Opera, returning to Vienna after Hitlers appointment as Chancellor in 1933. En route to Vienna from London in 1938, Burger and his wife foresaw what lay in store for Austria and detrained in Paris, abandoning their luggage. In 1939 Burger relocated to America and in 1949 he rejoined the staff at the Metropolitan Opera, starting a close working friendship with Dimitri Mitropoulos. His mother and four of his brothers were murdered in the Holocaust. A fifth brothers fate is still unknown.

Ich bin Gerd Steinkoenig (Bj 1959, Sudpfalzer) und veroffentliche mein 61. Buch! Lyrics, Leben, Fotos mit Vorbestimmungen, Modern Times Old Times, Musik, Human Future, Sport, Collagen Gerds Life, Gerds Media mit facebook/Instagram/YouTube, Uber die Katz (Goethe) etc...Ich durfte 61 Bucher schreiben von Januar 2017 - Marz 2024 mit Books wie Blood On The Rooftops (4 Teile), Danach (3 Teile), Die Story von popularer Musik, Zeit ist los (2 Teile), Spater ohne Buch, Mitte des Menschen, Der Zeitensammler, Gerds Blood Gerds Soul Gerds Book etc etc. Inkl diversen Pseudonyme von mir als Beatrice Farber (meine Zeitlauferin), Michelle Connery (meine Seele), Lebenssonne Gerd etc... All My Books Is ONE!!C 15. Marz 2024, Gerd Steinkoenig

Ich bin Gerd Steinkoenig und veroffentlichte mein 62. Buch! Mein endgultiges Finale als Buchautor! Ein Buchlein von 20 Seiten uber meine personliche Lebensmusik von Genesis, The Police, meine Konzerte, Neil Young etc. Mit Fotos mit einer kleinen Auswahl von meinen CDs (Pink Floyd,Coldplay, Miles Davis etc), von Musik-DVDs, von Musikzeitschriften etc.Auswahl meiner Bucher: Blood On The Rooftops (4 Teile), Danach (3 Teile), Die Story von popularer Musik, Zeit ist los (2 Teile), Spater ohne Buch, Mitte des Menschen, Der Zeitensammler etc! Inklusive Pseudonyme von mir mit Beatrice Farber (meine Zeitlauferin), Michelle Connery (meine Seele), Lebenssonne Gerd etc.All You Need Is Love (The Beatles 1967)C Gerd Steinkoenig 22. Marz 2024

Over the past three decades, applied ethnomusicology has emerged as a major force in working with music, culture and communities worldwide, generating a wealth of new approaches and practices. Explicitly or implicitly, these often question the traditional role of the music researcher as merely an objective observer; they invite taking greater responsibility and deeper engagement with the people we work with.Highlighting an exciting diversity of local practices with global implications, this volume illustrates how to work of contemporary ethnomusicologists intersects with major issues such as social justice, education, representation, and intangible cultural heritage. With contributions from six different continents, the fourteen chapters in this volume constitute an important step in the international dialogue in scope, methods and goals of ethnomusicology in the 21st century.

Como contar a história da música brasileira? A série Álbum propõe partir destas criações que atravessam o tempo e marcam a experiência de diferentes gerações: os discos. Iniciando em 1950 e chegando

This eBook presents the Bb Clarinet 2 part from Gioacchino Rossinis overture La gazza ladra (The Thieving Magpie), expertly transcribed for clarinet quintet by Enrico Zullino. This arrangement is crafted for advanced-level musicians and is part of a complete instrumentation that includes: Eb Piccolo Clarinet Bb Clarinets 1, 2, and 3 Bb Bass Clarinet Set in concert key F and lasting approximately 9 minutes, the transcription faithfully conveys the dramatic energy and operatic brilliance of Rossinis original score while adapting it to the distinctive voice of the clarinet ensemble.This digital edition also includes an informative introductory page in multiple languages (English, French, German, Italian, Spanish, Portuguese, and Polish), providing historical and musical context to enhance performance and study.The full series offers all individual parts as well as the complete score, supporting a cohesive and professional rehearsal or concert experience. An audio demo of the full arrangement is available at www.glissato.it for reference and inspiration.Perfect for clarinetists looking to refine ensemble skills and tackle virtuosic repertoire, this part contributes significantly to the harmonic and rhythmic texture of the quintet.

This eBook contains the Eb piccolo clarinet part of La gazza ladra (The Thieving Magpie), the famous overture by Gioacchino Rossini, transcribed for clarinet quintet by Enrico Zullino. This advanced-level arrangement is designed for a five-part ensemble including: Eb Piccolo Clarinet Bb Clarinets 1, 2, and 3 Bb Bass Clarinet The transcription, in concert key F, preserves the brilliance and theatricality of Rossinis original composition, adapted for a clarinet ensemble with a duration of approximately 9 minutes.Included in the eBook is an introductory page available in seven languages (English, French, German, Italian, Spanish, Portuguese, and Polish), offering useful background on both the piece and the arrangement.This part is part of a complete series that features the full score and all individual instrumental parts, allowing musicians to study and perform the work comprehensively. An audio demo of the entire transcription is available for streaming at www.glissato.it.This edition is ideal for clarinetists with solid technical skills who are seeking to explore Rossinis operatic flair within a refined chamber music context.