eBooks de Historia general del arte, página 28 de 42

In "Windows: A Book About Stained & Painted Glass," Lewis F. Day explores the intricate artistry and historical significance of stained and painted glass within architectural spaces. Written with a blend of scholarly rigor and an accessible narrative style, the book delves into the techniques, materials, and cultural contexts that shape this unique form of visual expression. Days meticulous analysis reveals not only the aesthetic qualities of these windows, but also their roles in storytelling and spiritual representation, tracing their evolution from medieval cathedrals to modern interpretations. Lewis F. Day, a notable English stained glass artist and author, brings his extensive knowledge and personal experiences in the craft to this work. His background in both art and design informs his exploration of the subject, allowing him to merge technical insights with an appreciation for the emotional resonance of stained glass. Days dedication to the craft fosters a profound understanding of the symbolic and functional significance of these windows, positioning him as an authoritative voice in the field. For scholars, artists, and enthusiasts alike, "Windows" serves as an indispensable resource, offering a rich tapestry of information and inspiration. This book not only enhances the readers understanding of stained glass but also invites contemplation on its enduring beauty and relevance in artistic and architectural discourse.

In "Greuze," Alys Eyre Macklin presents a compelling exploration of Jean-Baptiste Greuze, the 18th-century French painter renowned for his evocative portraits and genre scenes. Macklin meticulously unpacks Greuzes aesthetic and stylistic choices, situating his work within the broader currents of French art and Enlightenment thought. The text navigates through Greuzes intricate portrayal of emotion and moral narratives, revealing the socio-political implications underpinning his artistic vision. Macklins scholarly approach offers a synthesis of art historical analysis and cultural context, enriching our understanding of this often-overlooked figure in Western art history. Alys Eyre Macklins profound interest in the intersections of art and societal values stems from her academic background in Art History and Cultural Studies. Her extensive research on 18th-century European art and her passion for the Enlightenment period illuminate her scholarship on Greuze, allowing her to unearth connections between Greuzes art and the evolving societal norms of his time. Macklins previous works have established her as a formidable voice in art history, particularly concerning the nuanced dialogues between artists and their sociocultural environments. "Greuze" is an essential read for anyone intrigued by the complexities of arts role in society, as well as those who wish to deepen their appreciation for Greuzes masterpieces. Macklins authoritative analysis not only brings fresh insights into the artists legacy but also challenges readers to reconsider the cultural narratives that shape our understanding of aesthetics. This scholarly work is a must-have for art historians, students, and enthusiasts alike.

In "Mornings in Florence," John Ruskin artfully merges his profound appreciation for art, architecture, and the beauty of the natural world with a personal narrative that captures the essence of his experiences in the Italian city. Written in a lyrical yet accessible style, Ruskins prose reflects the Gothic revival movement and the burgeoning fascination with the Pre-Raphaelites, seamlessly weaving together observations on Florentine landmarks, such as the Duomo and Ponte Vecchio, alongside philosophical musings on art and beauty. This work serves not only as a travelogue but also as a meditation on the profound relationship between art and the human experience, illustrating how the cultural heritage of Florence has been a recurring inspiration throughout history. John Ruskin, a prominent Victorian art critic, social thinker, and philanthropist, found himself profoundly influenced by his travels in Italy, particularly Florence. His engagement with the citys historical context and artistic legacy deeply resonated with Ruskins advocacy for the Gothic style in opposition to the industrial ages mechanistic tendencies. His background in art education and his position as a critic provide a lens through which he interprets Florence, transforming his personal journey into an intellectual exploration of culture and morality. "Mornings in Florence" is highly recommended for readers interested in the intersections of art, philosophy, and travel literature. Spanning beyond mere descriptions, Ruskins reflections offer valuable insights into how art shapes and enriches life. As both a guide and a philosophical companion, this book invites readers to immerse themselves in the beauty of Florence while pondering the broader implications of aesthetic experience.

In "Illuminated Manuscripts in Classical and Mediaeval Times," J. H. Middleton offers a meticulously researched exploration of the evolution and artistry of illuminated manuscripts. Through a blend of rich historical narratives and visual analysis, Middleton transports the reader from the classical traditions of antiquity to the intricate complexities of medieval illumination. The book is structured both chronologically and thematically, revealing how socio-political dynamics influenced manuscript artistry, while employing a concise yet evocative literary style that enhances both academic and lay readership. Middletons insightful examination of aesthetic techniques and material culture situates illuminated manuscripts as both art objects and vital historical documents. J. H. Middleton, a distinguished scholar in medieval studies, draws upon his extensive background in art history and manuscript conservation to illuminate the significance of these artifacts. His appreciation for the technical craftsmanship and cultural significance of manuscripts was fostered during his years spent in renowned libraries across Europe, where he studied original texts. Middletons scholarship is underscored by a lifelong passion for preserving the literary legacies of the past, making him a credible voice in this niche yet significant field. This book is highly recommended for historians, art enthusiasts, and anyone intrigued by the confluence of text and image in cultural history. "Illuminated Manuscripts in Classical and Mediaeval Times" not only enriches our understanding of medieval artistry but also inspires a deeper appreciation for the written word as an art form, making it essential reading for those who seek to explore the beauty and complexity of this remarkable period in history.

In "The Unknown Masterpiece," Honoré de Balzac intricately weaves a tale that explores the enigmatic relationship between art, genius, and the creative process. The novella, first published in 1831, employs a rich and vivid literary style, characterized by Balzacs signature realism and psychological depth. Set against the backdrop of 17th-century France, the story follows the ambitious painter Frenhofer, whose obsessive pursuit of perfection leads to a dramatic and tragic confrontation with the nature of artistic idealism, ultimately questioning the boundaries between reality and abstraction. Balzacs nuanced portrayal of the tension between artistic aspiration and the often harsh reception of art serves as a meditation on the transformative power of creativity itself. Honore de Balzac, a towering figure in French literature, sought to depict the complexities of human experience through his expansive oeuvre, especially within his beloved series "La Comedie Humaine." His own struggles with artistic ambition and social critique inform the narrative of "The Unknown Masterpiece," illuminating how his keen observations of society and human behavior propelled him to investigate the intricacies of artistry and perception. The novella showcases his ability to balance philosophical introspection with gripping storytelling. For readers grappling with the nature of art and creativity, "The Unknown Masterpiece" stands as a timeless exploration that invites deep reflection. Balzacs multifaceted approach not only captivates but also challenges the reader to contemplate what constitutes true mastery in art. This novella is essential for those intrigued by the artists journey and the compelling questions surrounding artistic authenticity.

In "Navajo Silversmiths," Washington Matthews offers a comprehensive exploration of the artistry and craftsmanship of Navajo silversmithing, shedding light on its cultural significance and historical evolution. The book combines meticulous ethnographic research with rich visual documentation, capturing the intricate techniques and symbolic meanings behind the silversmiths creations. Matthews narrative style is both analytical and appreciative, placing the art form within the broader context of Native American traditions and social structures, thereby highlighting its role in cultural identity and economic exchange. Washington Matthews, a prominent figure in the field of anthropology and ethnology, dedicated much of his career to understanding Indigenous cultures of the American Southwest. His intimate familiarity with Navajo life, stemming from years of fieldwork and personal relationships with the community, imbues the text with authenticity and respect. Matthews was not only an observer but also an advocate for the preservation of Native arts, which greatly influenced his motivation to document and celebrate the silversmiths craft. "Navajo Silversmiths" is a vital read for anyone interested in Native American culture, art history, or anthropology. Matthews insightful observations and detailed accounts provide invaluable perspectives that resonate with scholars and general readers alike, making it an essential addition to the libraries of those seeking to appreciate the depth and beauty of Navajo artistry.

Leituras & correspondências com Ana Cristina Cesar (1952-1983) nos seus 70 anos - que também marca os 40 anos do clássico A teus pés; abalos sísmicos de um livro que chega ao Brasil em 1788 e que

In "Thoughts on Art and Life," Leonardo da Vinci presents a profound exploration of the relationships between artistic practice, nature, and the human experience. This work invites readers into da Vincis mind as he contemplates the essence of beauty, creativity, and the philosophy of observation that underpins his artistry. Characterized by a blend of narrative and reflective prose, the text employs a rich, poetic language that mirrors the intricate detail evident in his paintings. Set against the backdrop of the Renaissance, a period marked by the revival of humanism and empirical inquiry, this collection reveals the synthesis of science and art that da Vinci championed. Leonardo da Vinci, a polymath renowned for his contributions to art, science, and engineering, cultivated his ideas through relentless observation and experimentation. Growing up in Florence, a hub of Renaissance thought, Leonardo drew inspiration from both classical texts and the natural world around him. His unique background fueled his desire to illuminate the principles of aesthetics and the importance of keen observation, resulting in this introspective work that encompasses his lifes reflections. "Thoughts on Art and Life" is a must-read for anyone seeking to understand the foundations of artistic genius and the philosophical inquiries that continue to resonate in contemporary discussions of creativity. By navigating da Vincis insights, readers can engage with timeless questions about the role of the artist in society and the intricate dance between art and life.

Claudinho é mais uma criança moradora de comunidade carente. Estuda na escola do município, adora jogar futebol, mas tem um porém: nos finais de semana, trabalha como "flanelinha", para ajudar sua mã

Fazer arte através de artes visuais vogais, artes vogais expressivas e artes vogais e a lógica.

Autorias brasileiras contemporâneas e suas relações com as conquistas no Ensino Superior nos últimos 20 anos; A igualdade é negra: Mário Medeiros (Unicamp) fala sobre lutas e iniciativas para preserv

A obra Contemporaneidades nas danças de salo: abordagens que dançam nossos tempos, organizada por Luiz Gabriel Catoira de Vasconcelos e Rodolfo Marchetti Lorandi, aborda as contemporaneidades nas danças de salo na atualidade.Contando com nove capitulos, o livro traz ao leitor a arte como forma de dança, no apenas expressando a dança em sua modalidade, mas trazendo a superaço, a diversidade, o respeito e a quebra de barreiras sociais e culturais. Buscando liberdade, igualdade e a expresso da arte como forma de se conhecer e se reconhecer.

"Os Animais não Gostam de Pizza é um livro de leitura super agradável e que, com certeza, prende a atenção e desperta o interesse dos jovens leitores até o fi nal. Ditados populares e termos que asso

Leituras e ecos de Sylvia Plath, um dos nomes mais lidos da literatura anglófona, nos 90 anos de seu nascimento; Italo Moriconi discute as "duas vidas" de Clarice Lispector a partir das biografias da escritora; caminhos e forças da obra do poeta e ensaista Edouard Glissant no Brasil; sociologia, economia e as formas de pensar (e falar sobre) a classe media no pais; no ultimo texto da serie A ciencia como ela e, a trajetoria de Jaqueline Goes, cientista que sequenciou o virus da covid 48h apos o 1 caso no Brasil.

Eliseu Visconti, em depoimento manuscrito, afirmou estar no Theatro Municipal do Rio de Janeiro a sua principal obra. Foi além, externando ter sido a maior emoção de sua vida artística postar-se dian

Nos 100 anos do filme Nosferatu, um especial aborda o horror como pedagogia e as sombras que hoje sobem as escadas; possibilidades levantadas por animais no humanos segundo Juliana Fausto, autora de A cosmopolitica dos animais; em livro postumo de Ricardo Piglia, rastros de um olhar sobre o que poderia ser a literatura policial argentina; o trabalho da editora 100/cabeças que pode informar uma "biblioteca surrealista" no Brasil; Angelica Thomaz, o intestino, a covid e o lugar que envolve ser mulher-me-cientista no especial A ciencia como ela e.

An unparalleled assemblage of Archaic black-figure painted pinakes (plaques) was uncovered near Penteskouphia, a village west of ancient Corinth, over a century ago. The pinakes-represented by over 1,200 fragments-and their depictions of gods, warriors, animals, and the potters themselves, provide a uniquely rich source of information about Greek art, technology, and society. In this volume, the findspot of the pinakes is identified in a contribution by Ioulia Tzonou and James Herbst, and the assemblage as a whole is fully contextualized within the Archaic world. Then, by focusing specifically on the images of potters at work, the author illuminates the relationship between Corinthian and Athenian art, the technology used in ancient pottery production, and religious anxiety in the 6th century B.C. The first comprehensive register of all known Penteskouphia pinakes complements the well-illustrated discussion.

"O Culto da Arte em Portugal" de Ramalho Ortigão é uma análise minuciosa da evolução da arte em Portugal, refletindo sobre a importância estética e cultural da criação artística no contexto da socied

Tema privilegiado da historiografia contemporânea, a Semana de 22 voltou ao centro do palco no ano em que se comemoraram os cem anos do movimento. Patuscada ou revolução estética? Um século depois da

A linguagem de origem de Mãos de Ninguém tem a essência da profecia. Isso não significa que ela determina os eventos futuros. Isso significa que ela não depende de mais nada. Não depende mais da verd