Libros de Literatura extranjera, página 3 de 62

This revised edition of A History of Old English Literature draws extensively on the latest scholarship to have evolved over the last decade. The text incorporates additional material throughout, including two new chapters on Anglo-Saxon manuscripts and incidental and marginal texts. * This revised edition responds to the renewed historicism in medieval studies * Provides wide-ranging coverage, including Anglo-Latin literature as well as non-canonical writings * Includes new chapters on manuscripts and on marginal and incidental texts * Incorporates expanded coverage of legal texts and scientific and scholastic texts, now treated in separate chapters * Demonstrates that the field of Anglo-Saxon studies is uniquely placed to contribute to current literary debates

The most-trusted anthology for complete works, balanced selections and helpful editorial apparatus, The Norton Anthology of American Literature features a cover-to-cover revision. The ninth edition introduces new General Editor Robert Levine and three new-generation editors who have reenergised the volume across the centuries. Fresh scholarship, new authors-with an emphasis on contemporary writers-new topical clusters, and a new ebook make the Norton Anthology an even better teaching tool and an unmatched value for students.

La coreana es una de las tres grandes culturas del Extremo Oriente. Desde el período arcaico hasta el presente, unos tres mil años, ha desarrollado un sucesivo y creciente acervo cultural. Su condicion peninsular le ha permitido conciliar caracteristicas continentales y oceanicas, situacion que ha facilitado su antigua relacion con el imperio chino y asimilar, de manera particul...

G. Egido (Salamanca, 1928) empezó su carrera literaria a los sesenta y cinco años y nunca se presentó a ningún Premio. Pero le han concedido varios, entre ellos el Premio Nacional de la Crítica, 1995, por su novela El corazón inmóvil, que el mismo año fue finalista del Premio Nacional de Literatura, el Premio Ciutat de Barcelona y el Premio Elle; Premio de las Letras de Castilla y de León, 2004, por toda su obra; el año 2003 le habían galardonado con el Premio de la Crítica del Instituto de la Lengua de Castilla y León, por La piel del tiempo. Anteriormente, le habían dado el Premio Miguel Delibes, 1993, por su primera novela, El cuarzo rojo de Salamanca, y en el 2009 le fue otorgado el Premio Villalar, de novela histórica, por su obra Los túneles del paraíso. Todas estas obras fueron editadas por Tusquets Editores. Con motivo del IV Centenario del Quijote, publicó dos ensayos, La razón de la sinrazón y La sinrazón de la razón, Editorial Visor. A caballo entre el reportaje, el ensayo, la poesía, la ficción, la autobiografía y la denuncia, este libro intenta alcanzar lo que la crítica literaria llama "la literatura total", que, más allá de los géneros y desde una finalidad estrictamente literaria, ofrece una plural mirada sobre la sociedad y la historia contemporáneas y sobre un hombre actual y sus circunstancias personales, tanto biológicas y económicas como morales y sentimentales. Esta panorámica, crítica y reveladora, tiene su hilo conductor en una jornada cualquiera vivida por un hombre de la calle, con inquietudes intelectuales y óptica original, que, a través de las anécdotas cotidianas, despertarse, ducharse, desayunar, trabajar, pasear, leer, evocar el pasado, recordar a los amigos, componer un cuadro de afinidades y rechazos y ensayar la óptica de la libertad, es al mismo tiempo, un autorretrato del autor y una declaración de principios morales, en defensa del individuo y del yo precario, amenazado por la sociedad de consumo y la globalización mercantil todopoderosa y omnipresente. Una llamada de optimismo y una invitación a la resistencia frente a los poderes fácticos y sus telones de humo.

Umberto Eco explores the most distant realms of our imagination.In the tradition of On Beauty, On Ugliness and The Infinity of Lists, Umberto Eco presents an enthralling and erudite illustrated tour of the fabled places that have awed and eluded us through the ages.From the epic poems of Homer to contemporary science fiction, from the Holy Scriptures to modern mythology and fairy tale, literature and art are full of illusory places we have at some time believed are real, and onto which we have projected our dreams, ideals and fears. Umberto Eco leads us on an illuminating journey through these legendary lands - Atlantis, Thule and Hyperborea, the Earth''s interior and the Land of Cockaigne - and explores utopias and dystopias where our imagination can confront concepts that are too incredible, or too challenging, for our limited real world.In The Book of Legendary Lands the author''s text is accompanied by several hundred carefully assembled works of art and literature; the result is a beautifully illustrated volume with broad and enduring appeal.

A rollicking journey through Classical literatureranging from poetry and philosophy through epic and historythat offers delights for experts and lay readers alike.The writings of the Greeks and Romans form the bedrock of Western culture. Inventing the molds for histories, tragedies, and philosophies, while pioneering radical new forms of epic and poetry, the Greeks and Romans created the literary world we still inhabit today. Writing with verve and insight, distinguished classicist Richard Jenkyns explores a thousand years of classical civilization, carrying readers from the depths of the Greek dark ages through the glittering heights of Rome''s empire.Jenkyns begins with Homer and the birth of epic poetry before exploring the hypnotic poetry of Pindar, Sappho, and others from the Greek dark ages. Later, in Athens''s classical age, Jenkyns shows the radical nature of Sophocles''s choice to portray Ajax as a psychologically wounded warrior, how Aeschylus developed tragedy, and how Herodotus, in "inventing history," brought to narrative an epic and tragic quality. We meet the strikingly modern figure of Virgil, struggling to mirror epic art in an age of empire, and experience the love poems of Catullus, who imbued verse with obsessive passion as never before. Even St. Paul and other early Christian writers are artfully grounded here in their classical literary context.A dynamic and comprehensive introduction to Greek and Roman literature, Jenkyns''s Classical Literature is essential reading for anyone seeking a deeper understanding of the classicsand the extraordinary origins of Western culture.

Why is Greek and Roman literature so great?How has classical literature influenced Western culture?What did Greek and Roman authors learn from each other?Richard Jenkyns is emeritus Professor of the Classical Tradition and the Public Orator at the University of Oxford. His books include Virgil''s Experience and The Victorians and Ancient Greece, acclaimed as ''masterly'' by History Today.

Thisbook introduces some of the most important characters in English literature, including John Silver,Tess.Frankensteinand Sherlock Holmes. o The most famous fictitious detective of all the times isSir Arthur Cona n Doyle's Sherlock Holmes. Holmes doesnt solve casesin arder to help the police; he does it for having hismind entertained, beca use he loves intellectual challenges ... o John Silver is an old peg-Iegged pirate (or "gentleman of fartune", as he prefers to be called). He is the quartermaster of the Hispaniola (he handles the ship's food and drink during the voyages). o The protagonist of Tessof the d'Urbervilles is a young and beautiful 19thcentury girlwho liveswith her family in a Britishvillage called Marlott. o After a happy childhood in Geneva, Switzerland, Victor Frankenstein went to the university to study natural philosophy and chemistry. Since he was a little boy, this character had a great curiosity about the hidden laws of nature and the secrets of heaven and heart, and after seven years of research, he beca me convinced that he had found the secret of life...

"Las cartas a un joven poeta fueron publicadas póstumamente por primera vez en Leipzig, en la editorial Insel Verlag, en 1929, por un aspirante a poeta llamado Franz X. Kappus (1883-1966), con quien Rilke mantuvo correspondencia. Kappus habia sido tambien cadete como Rilke en la Academia Militar de Sankt Polten, y como este, se sintio asediado por preguntas sobre su verdadera vocacion y sobre los problemas que le causaba un entorno ajeno a esta problematica. No le costo demasiado a Kappus suscitar la empatia del poeta y provocarle una serie de reflexiones sobre el quehacer poetico y la esencia de la poesia, asi como sobre otros temas trascendentales, tales como el dolor, la soledad, el amor, el sexo, y otros que surgieron al socaire de diversas circunstancias, pues entre la primera (1903) y la decima carta (1908) mediaron cinco años. Por la profundidad del contenido y la sencillez de su forma, esta obra se ha convertido en una de las mas celebres de Rilke."

En Lejos de dónde, Claudio Magris recorre la obra de Joseph Roth analizando los diferentes temas que en ella se desarrollan; pero, lejos de limitarse a realizar una monografía al uso sobre el escritor austriaco, convierte la obra rothiana en la ocasion y el instrumento a traves de los cuales narrar la penultima fuga, de oriente hacia occidente, del pueblo judio de Europa central. Magris recoge, en los personajes que habitan la obra de Roth, el sufrimiento de un pueblo en permanente exilio que, tras la disolucion del Imperio austro-hungaro, encuentra en su tradicion textual la unica patria a la que aferrarse. El respeto a la tradicion se convierte en una obsesion, sobre todo de los padres que sienten sobre sus hombros la responsabilidad de ser los garantes y depositarios de la misma, mientras los hijos asisten, atonitos, al derrumbe del orden establecido.

Edited by Julian Rothenstein and Olga Budashevskaya with a foreword by Philip Pullman and an essay by Arkady Ippolitov of The State Hermitage Museum, St.PetersburgWhat a treasury! The world of Russian childrens illustrated books in the first twenty years or so of Soviet rule is almost incomparably rich. What were they doing, these commissars and party secretaries, to allow this wonderland of modern art to grow under their very noses? I expect the rule that applies to childrens books was just as deeply interiorised in the Soviet Union as it has been in the rest of the world: they dont matter. They can be ignored. Theyre not serious.But if we didnt know it already, we can see from the evidence so splendidly spread out in these pages that childrens books are capable of astonishing beauty and an almost unparalleled range of expressive design.NSIDETHERAINBOW reprints for the first time in English a unique compendium of Soviet picture books from the 1920 and 1930s a highpoint in the history of childrens literature. In the dark and dangerous world of revolutionary Petrograd, a group of Russian poets and artists, among the greatest of the century, came together to create a new kind of book for children about to enter a Brave New World. These artists and writers dreamed of endless possibilities in a new world where children and grown-ups alike would be free from the bitterness of ignorance. For a time, when children''s publications still escaped the scourge of state censorship, their books became a last haven for learning, poetic irony, burlesque and laughter.