Libros de música, página 145 de 901

There were times I was a bit reticent in taking out my camera, like when some old friends stopped by to hang out. I didnt want to intrude on these moments, but John insisted. He felt that I captured him in ways that no one else did because of his comfort level with meFor years, only my closest friends got to see these photoswhich were literally tucked away in a shoebox in my closet. They were surprised that these images did not convey the John that was portrayed in the press during our time together. In fact, they saw a side of John seldom seen.From INSTAMATIC KARMA John Lennon is the most famously photographed Beatleeveryone from Iain MacMillian to Annie Lebowitz took iconic images of himbut there have never been pictures of him like these taken by May Pang, Lennons girlfriend from 1973 to 1975. In INSTAMATIC KARMA, theyre collected for the first time. With very few exceptions, these photos are that rare thing: never-before-seen images of an icon. The photos here show Lennon in a variety of settings: at work, at play, at home, and away. They show a playful Lennon, a casual, unguarded Lennon; theyre the kind of photos one lover takes of another. May has written rich captions to accompany her photos--taken together, they tell a simple story of the time May and Lennon spent together; a time, according to legend, when Lennon was unhappy and unproductive, estranged from his family and bandmates. Pangs photos clearly tell another storythey show Lennon clowning around, working on his hit album Walls and Bridges, embracing oldfriends and family, hanging out in their apartment on Manhattans East 52nd Street, relaxing in the country in upstate New York or spending peaceful days swimming in the waters of Long Island. The photographs in INSTAMATIC KARMA are both color and black & white, casual Polaroids and more composed shots. Each one is an intimate glimpse into a fascinating time in John Lennons life.

A comprehensive, revealing biography of the versatile Russian composer and pianist.A revealing and comprehensive biography of Sergey Prokofiev (1891-1953), versatile Russian composer and pianist, who is best known for the ballet Romeo and Juliet and Peter and the Wolf Examines the works of Prokofiev, who primarily wrote for the stage but who also contributed to the genres of symphony and concerto with works inseparable from the political context in which they were composed Shows how pressure from Soviet authority, following his return to Russia after years abroad, stimulated as much as it limited his creativity - ultimately leading to the denunciation of his music in 1948 as ''formalistic'' The versatile composer and pianist Sergey Prokofiev (1891-1953) is among the most significant and individual figures in twentieth-century Russian music. Best known for the ballet Romeo and Juliet and his piece for children Peter and the Wolf, Prokofiev wrote primarily for the stage and also contributed notably to the genres of symphony and concerto. The pressure from Soviet authority, following his return to Russia after years abroad, stimulated as much as it limited his creativity, leading ultimately to the denunciation of his music in 1948 as ''formalistic''. This revealing and comprehensive biography examines Prokofiev''s works - wild, brilliant, lyrical, sometimes unashamedly over-the-top - as inseparable from the political background of their composition.

El “método intuitivo de audición musical” propone técnicas específicas para el desarrollo de la percepción y expresión a través de obras maestras de la música clásica. Secuenciando “Las cuatro estaci

Treinta y cuatro villancicos populares gallegos: letra, partitura musical y comentarios de cada uno de ellos a cargo del histórico colectivo Fuxan os Ventos.