Libros de Pintores y escultores, página 31 de 533

es una obra con la que el artista colaboró, antes de su fallecimiento hace un año, y también un cuidado, exhaustivo y valorado trabajo que permite autentificar parte de su legado pictórico. Felipe Criado hijo califico de logro el haber recabado informacion sobre 1.200 cuadros, muchos en manos privadas, de los 2.000 que estimaba su padre que habia realizado durante sus seis decadas de trayectoria. Asimismo, destaco que la obra, un volumen de casi 300 paginas, pretende ser un acto de respeto a su memoria y un reconocimiento a su aportacion al arte de Galicia

Se trata de una publicación realizada con mimo y esmero, en la que se han cuidado todos los detalles. En palabras del editor, “estamos presentando el primer libro de arte a nivel mundial que incorpor

Descubre al pintor que proyectó el arte español, con sus escenas de playas bañadas por el mar mediterráneo, con sus jardines y elegantes retratos , supo seducir a los grandes museos y coleccionistas

Regarded as the greatest British artist of his generation and represented in museum collections all over the world, Anthony Caro revolutionized sculpture in the 1960s, by taking the radical step of removing the plinth and placing his work directly on the ground not only changed our relationship with the artwork, but the direction of sculpture itself.This beautifully designed book includes a comprehensive survey of Caro''s work over a period of more than half a century ranging from his time as Henry Moore''s assistant in the early 1950s right up until his death in 2013.More than fifty of his masterworks are each examined in detail through never before published archival installation images and comments by the artist from the time of production or exhibition. Furthermore, a collection of specially commissioned new documentary photographs by Toby Glanville capture the processes behind the sculptors work, from conception to production to installation and exhibition in major exhibitions and installations.A collection of short texts by leading contemporary artists, including Anish Kapoor, Richard Deacon, Rachel Whiteread and Antony Gormley demonstrate the influence of Caro''s work, and a series of key essays by renowned critics and art historians, such as Clement Greenberg and Michael Fried, provide an unparalleled overview of his career and complete this intimate celebration of the artist.

Hans Eijkelboom: People of the Twenty-First Century is an enormous and completely fascinating collection of ''anti-sartorial'' photographs of street life by the Dutch conceptual artist/street photographer. From Amsterdam to New York and Paris to Shanghai, these photographs, taken over a period of more than twenty years, provide a cumulative portrait of the people of the twenty-first century. A magnetic panoply of images, this cult object has a place in the library of every photography book collector as well as anyone interested in contemporary culture. Democratic, apolitical and unique, the archive of thousands of images offers an engrossing and engaging cross-section of society.Over the course of the last two decades, the Dutch photographer worked methodically on his monumental Photo Notes project: First he would select a busy pedestrian area his favourite spots were often near shopping centres where he would stay for 30 minutes up to a few hours. He then spent time observing passers-by before recognizing a common type, normally based on a garment, sometimes a behaviour: people in band T-shirts, fur caps or beige trench coats; young couples walking arm-in-arm; women in suit dresses; men with gelled hair or pushing shopping trolleys He snapped them with a camera hung around his neck, attached to a trigger in his pocket. Back in the studio, the images were laid into grids called Photo Notes. Their simplicity of form and presentation belies their complex anthropological, social and artistic commentary.

Architecture, power, space, gender, surveillance and authority are the issues that have animated Monica Bonvicini''s work for the past two decades. Her installations, sculptures, drawings, and films often rise questions about how the built environment shapes, conditions, and controls viewers as subjects and, in the process, dictates our phenomenological, sexual, and psycho-social relationship to space.The book provides an overview of Bonvicini''s artistic production reconsidering her past work, tracing its current trajectories, and creating a geography that charts the terrain of the artist''s attempts to embody and negotiate the very same architecture of history it challenges.